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Kapoor & Sons offers an enriching cinematic experience that is both entertaining and thought-provoking.
I Am (2010)
I Am is an Indian anthology film directed by Onir, an acclaimed filmmaker known for his thought-provoking narratives.
These films are not just cinematic achievements; they are milestones in the journey towards a more understanding and diverse India, showcasing the indomitable spirit of love, acceptance, and the human desire to be seen and heard.
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The queer romance is depicted by director Geethu Mohandas with a tenderness that makes it universal, focusing on the companionship that emerges between Akbar, a gangster, and Ameer (Roshan Mathew), a gay man who is deaf.
As Bob Dylan said, "the times are certainly a-changing." Films like Margarita with a Straw have brought thoughtful stories to the screen, exploring sexuality within the differently-abled community. The performances are exceptional, with Sanjay Suri delivering a heartrending portrayal of Nikhil’s resilience and his sister, played by Juhi Chawla, showcasing her unwavering support.
Kapoor & Sons (2016)
Kapoor & Sons is a heartwarming Bollywood film directed by Shakun Batra.
Inspired by a short story by Ahmad Mueenudheen, director Suresh Narayanan’s debut film Iratta Jeevitham begins with the love story of two women, Sainu and Ameena, before becoming a tale of transition. Onir’s deft direction and the film’s engaging narratives make it a powerful cinematic experience that prompts viewers to contemplate the complexities of identity, relationships, and personal freedom.
My Brother… Nikhil (2005)
My Brother… Nikhil is a poignant Indian film also directed by Onir, a filmmaker known for his thought-provoking narratives.
It touches on gender identity, patriarchy, and sexuality, showing how societal expectations can lead to deep emotional damage. Kumar, an Indian filmmaker and social activist, has a background in producing documentaries and short films that address societal issues. Challenging gender and sexual norms, Prem Kapoor’s controversial Badnam Basti was once thought lost, but was rediscovered in 2019 and reclaimed as India’s first queer film.
Based on a novel by Kamleshwar, the film uses an Indian cinema staple, a love triangle between two men and a woman, but subverts expectations in exploring the characters’ bisexuality – suggested rather than explicitly foregrounded, due to the censorship of the time.
Sakshi’s world crashes when she realises that this perfect marriage will be the biggest lie ever, as Kunal is cheating on her with Preet.
This splits the couple; Kunal now resides with Preet. In 2018, the Supreme Court decriminalised homosexuality. Though not always listed under LGBTQ+ cinema, its themes are powerful and relevant.
In the vast expanse of India, from the vibrant streets of Bangalore to the historic allure of Chennai, from the technological hub of Hyderabad to the cultural richness of Ahmedabad, and amidst the lush greenery of Pune, the best Indian gay movies find their voices.