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Instead of killing (ahem) his gay/gay coded villain, Togashi gives him an whole ass husband.

Hisoka is unapologetically androgynous, and not in any way heterosexual and I think that's beautiful.

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This serves as a poignant commentary on the queer experience of being thrust into adulthood without the same rites of passage afforded to their peers.

Adding to this interpretation is Shaiapouf’s nickname, "Pouf," which is a derogatory English slang term for a gay man.

His depiction of Itsuki’s love for Sensui was sincere and complex, although it is unknown if that love was reciprocated. Shaiapouf’s feelings are sensual rather than overtly sexual, portraying an intense, almost divine adoration that mirrors the complexities of unrequited queer love often depicted in media.

Hunter x Hunter is populated by multifaceted characters that challenge the audience’s expectations of specific anime archetypes and call into question the societal factors that shape stereotypes.

Hisoka could easily just leave his money to Illumi in a will. That's the most dramatic and unnecessary thing in the world. Mikihisa feels lonely and isolated when the women he desires reject him, claiming they can only see him as a woman.

Hunter x Hunter's Author Recreates One Of His Most Iconic Covers, Showing He's Hard At Work

Author Yoshihiro Togashi is hard at work on new Hunter x Hunter chapters, but that hasn't stopped him from spoiling Yu Yu Hakusho fans as well.

When Princess Saki, an alien who causes the eventual extinction of her mates’ species, arrives on Earth searching for a new lover, she and Mikihisa fall for one another.

So much of what makes Togashi’s writing shine is the internal monologue that contextualizes each character’s decisions and takes the audience on their emotional journey. Togashi shows tremendous growth with this character arc.

Togashi's Unreleased Gay Baseball Romance

The Author Struggled to Find an Audience for the Unconventional Manga

Intriguingly, Togashi’s commitment to queer representation extends beyond his published work.

Every character in Hunter X Hunter is incredibly complex and layered, Hisoka is no different. Today’s sensitive portrayal of LGBTQIA+ characters is easily traced back to visionaries, like Yoshihiro Togashi, who aren’t afraid to speak up for a vulnerable population, even if they don’t get the message right the first time.

Created by
Yoshihiro Togashi

First Film
Hunter x Hunter: Phantom Rouge

Latest Film
Hunter x Hunter: The Last Mission

First TV Show
Hunter x Hunter

Latest TV Show
Hunter x Hunter

First Episode Air Date
October 16, 1999

Hunter × Hunter is a Japanese manga and anime franchise created by Yoshihiro Togashi.

This acknowledges that it’s not the end of the world to allow another human bodily autonomy.

Hunter x Hunter Handles Queer Identities With More Tact

Miyuki and Mikihisa Walked So That Alluka Could Run

When Hunter x Hunter entered serialization in 1998, Togashi’s approach to LGBTQ+ representation evolved significantly.

hxh gay

Togashi admits that it was written with his personal interests in mind, and he couldn’t find a way to make it commercially viable considering the cultural climate in Japan in the early 90s.

Trouble Quartet is emblematic of Togashi’s willingness to take creative risks, as well as his desire to be part of the evolving conversations around queer representation.

Maybe it's just a business transaction and maybe it isn't but the point is, Hisoka's LGBT coded potential is fulfilled. His wife, Naoko Takeuchi, the creator of Sailor Moon, has been an influential figure in her own right, especially known for her progressive portrayal of queer relationships, such as the iconic couple Sailor Uranus and Sailor Neptune.

The franchise spans manga, multiple anime adaptations, films, OVAs, and video games.

Hunter X Hunter: How One Villain Changes the Series' LGBTQ Approach

Shaiapouf, one of the Royal Guards in Yoshihiro Togashi's Hunter x Hunter, is a fascinatingly complex villain, particularly regarding his queer-coded identity.

These attributes make him a polarizing figure, both within the narrative and among viewers, as they perpetuate harmful stereotypes even as they unravel them.

Shaiapouf Is Holding Space for Meruem Only

Defying Gravity Is Easier Than Defying the King

Shaiapouf’s physical fusion of human and butterfly body parts reinforces his identity’s dual nature: beautiful and fragile yet also calculating and, at times, ruthless.

We have no idea what his past was like. The audience spends more time with Mikihisa than they did with Miyuki, and get to experience some of the casual homophobia and transphobia that queer people navigate daily. Initially, the heroes conclude the threat as moot when they learn Mikihisa was assigned as female at birth but panic when alien technology allows him to transition fully.

These decisions were a result of Shōnen Jump’s editors mandating that queer representation not be portrayed in a positive, supportive manner, for fear of alienating their young male audience.

Itsuki’s storyline, however, signaled Togashi’s intent to push past simple characterization.